strymon | 1 year ago

Learn more about UltraViolet ► http://strymon.net/ultraviolet

Join Strymon's Sean Halley, Pete Celi and Matt Piper as they put the new Ultraviolet Vintage Vibe pedal through its paces.

Delivering vintage vibe tone that’s second to none, with simple and powerful controls for instantly obtaining a rich variety of captivating sounds, UltraViolet is the vibe pedal you’ve been looking for.

Our latest creation meticulously recreates the unmistakable characteristics of classic optical vibe circuits, delivering a unique flavor of modulation that breathes life into your playing. Immerse yourself in the sound of the psychedelic 60s with full stereo I/O and complete MIDI capability.

All samples recorded direct using Iridium as the amplifier.

Chapters:
00:00 Intro
00:05 Special Blend
00:52 Slow Churn
01:19 Flutter Vibe
02:01 Pushed Pulse
02:27 Swept Away
03:05 Bubbling Up
03:43 Swing Set
04:13 Stone Skipping
04:53 Fast Pitch Softball
05:18 Driving Winds
06:14 Tilt-A-Whirl
06:42 Slow Sweep
07:38 Fast Rotation
08:05 Gentle Warp
08:56 Atmospheric Drift
09:39 From the Deep
10:27 Wiggle Vibe
10:54 Wavy Paisley
11:44 Elevated Vibe
12:22 Seismic Shift

00:05 Special Blend - Sean Halley
Max intensity is balanced with the Blend mode to create a deep effect that preserves the original guitar tone.

00:52 Slow Churn - Pete Celi
The extended sweep at slow speed settings in UltraViolet is showcased with high Intensity.

01:19 Flutter Vibe - Sean Halley
The low bias vibrato creates pitch perturbations that can sound like trem bar manipulations. El Capistan provides a finishing touch.

02:01 Pushed Pulse - Pete Celi
A pulsing phase/trem effect in Blend mode is enhanced with a volume boost to push the amp harder.

02:27 Swept Away - Sean Halley
A high bias and slow sweep captures some classic tones and showcases the beauty of the LFO shape.

03:05 Bubbling Up - Sean Halley
A fast speed with low intensity creates plenty of motion in Chorus mode.

03:43 Swing Set - Matt Piper
Low bias creates a pulsing transition when the LFO sweeps between its high and low points.

04:13 Stone Skipping - Sean Halley
With faster speeds, the high bias chorus settings creates a smooth phase/tremolo effect.

04:53 Fast Pitch Softball - Pete Celi
Low Intensity tames the pitch warbles of the high bias when set to a fast vibrato.

05:18 Driving Winds - Sean Halley
A gnarly fuzz keeps its character when followed by UltraViolet in Blend mode.

06:14 Tilt-A-Whirl - Pete Celi
Chorus mode creates a deep swirl with a fast Speed setting.

06:42 Slow Sweep - Sean Halley
The extended depth of the slow sweep is showcased with max intensity in low bias.

07:38 Fast Rotation - Matt Piper
Blend mode and low intensity create a trem/phase effect with elements of a rotating speaker.

08:05 Gentle Warp - Sean Halley
A low intensity vibrato creates a subtle motion to the chords with El Capistan providing ambience.

08:56 Atmospheric Drift - Pete Celi
With mid bias in Blend mode, the slow LFO speed creates a hypnotic sweep at maximum intensity.

09:39 From the Deep - Sean Halley
The intensity is set just high enough to allow for deep modulations with a strong bass response.

10:27 Wiggle Vibe - Pete Celi
A high bias, high speed vibrato creates some 60's inspired funky wiggles.

10:54 Wavy Paisley - Sean Halley
The high bias Chorus mode complements the sparkling tones from the single coils.

11:44 Elevated Vibe - Pete Celi
A faster LFO speed can create some psychedelic vibe tones.

12:22 Seismic Shift - Sean Halley
A chunky low bias vibe hits the amp with attitude.

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