The BIG CHEESE™ is a loving homage to the nasty, buzzy yet gorgeous and harmonically rich early fuzz. While having many of the classic characteristics that every fuzz fan will relate to it goes beyond to create an absolutely distinct character of its own. Its innovative and interactive controls can take it from almost "gated" break-up to overkill of shred proportions.
Far from being just a guitar pedal however the Big Cheese™ is eminently useful for seeing to any sound with the temerity to be naff or boring (with particularly amusing consequences in the lower regions). To lovers of that extraordinary spectacle known to some as "furrrzze bass!" it offers terminally thunderous, ripping yet glitch-free and buttock-clenching
mayhem that can only be described as Larry Graham on steroids (as demonstrated to devastating effect by the man himself!).
The Big Cheese™ works exceptionally well in the fx loop of the Meatball™ creating some of the squelchiest curdled sounds ever - particularly true of the "cheese" setting which gives the signal huge dynamics thus cutting through a mix like the fattest, raspiest analogue synth. Coupled in this way with an octaver it can perform an uncanny impersonation of a guitar synth with no delay or tracking worries.
The BROWN SOURCE™ is an instant flash-back to that dynamic, singing, BIG late 60's / early 70's brown sound that is associated with countless classic records spanning the whole musical spectrum. It offers unparalleled purity and touch sensitivity and an uncannily warm "valvey" grunt with the absence of the unnatural fizz associated with most overdrive pedals. There is also a very tangible sense of electricity (remember that!?) as it piles on the pylon factor. It responds extremely well to filter changes (producing a throaty "voice box" type distortion) and consequently works an absolute treat with a wah in front - and will make any new guitar sound 30 years older!
Because of its large image size irrespective of volume, and natural communicative response it makes an ideal recording tool or "desert island" companion. Three classic ways to use the Brown Source with a guitar are for snap crackle and "pop" into a clean amp, dripping fat into a cooking amp and controlled feedback with singing harmonics into a driven amp. In the studio it can perform amazing transformations on the most unlikely time travellers, or blended in with the straight signal it can be used to add a touch of dirt to those unfashionable clean cut sounds!
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Gear used:
PRS Custom 22 w/ Humbucker
Blackstar Artisan 30
ZOOM Q8
Shure SM58
Monster Cable
Ibanez Power Supply
Sony Alpha a5000
apple imovie for imac
Guitar Effects Pedal Demo - Lovetone - Cheese Source