Chicago Music Exchange | 8 years ago
Karl shows us the ins-and-outs of the new Taylor 612ce while drinking a full gallon of French Vanilla coffee creamer.
Our 12-fret Grand Concerts feature a shifted neck-to-body relationship, shifting the bridge location in a way that adds robust punch to the midrange notes. Together with the revoiced design details of the 600 Series, players are in for a treat. The smaller body and short-scale neck make for an intimate and comfortable playing experience, while the tonal refinements to the bracing and other materials serve up an inspiring mix of warmth, richness and volume, especially for a small-body guitar. Every material component has been optimized, from the wood and finish thicknesses to the internal bracing — customized for each body shape — to the special roasting process used on the spruce tops to activate a super-responsive, played-in sound. Aesthetic upgrades include a rich, hand-rubbed “Brown Sugar” stain on the back and sides, a new fretboard inlay that carries over to include an inlaid ebony backstrap, ebony and grained ivoroid trim, and a striped ebony pickguard. A Venetian cutaway and Taylor’s Expression System® 2 pickup add playing range and performance versatility.
Check out more Taylor here: https://bit.ly/3awFHWJ
Gear Used:
Taylor 612ce
Tunes Played:
"The Storming of Galbury Keep" by Karl Necromancer
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