LISTEN to my music here: http://music.lowercasenoises.com
In this video I want to show you a little bit about how I think when it comes to chord shapes when I'm doing swells or other things. As with other aspects of all this stuff, it really comes down to cutting back things that are redundant or muddy, as well as thinking about space and separation.
I hope this is helpful to you!
In this video I'm playing a Gretsch Country Classic Jr into a Matchless Chieftain and Clubman. The pedals used in the swell sound were as follows:
Diamond Compressor
EHX Micro POG
Goodrich L-120 Volume
MXR Carbon Copy
Strymon El Capistan
Line 6 Echo Park
Neunaber Stereo Wet Reverb
Strymon Blue Sky
My video camera is a Nikon D5100 and I use Final Cut Pro X to edit the video.
Follow me on following social networks if you so desire!
Twitter: http://www.twitter.com/andyothling
Facebook: http://www.facebook.com/aothling
Instagram: http://www.instagram.com/andyothling
You can follow Lowercase Noises, my ambient music project, at the following places as well!
Twitter: http://www.twitter.com/lowercasenoises
Facebook: http://www.facebook.com/lowercasenoises
Soundcloud: http://www.soundcloud.com/lowercasenoises
Thanks for watching!