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PGS would like to welcome Greer Amps and their wide range handmade pedals from Athens, GA. The Hammer, Greer's versatile distortion pedal that gives you more control over the gain structure. The Grunt control is the Hammer's secret weapon that works in tandem with the gain to transform smooth, creaming distortion into grittier textures that go in directions you'd never believe like sputtering fuzz and demolished 8-bit tones.
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The Arbuckle Trem is their take on the hugely popular DIY tremolo circuit from the late 60's. With Greer's own special tweaks and improvements, the Arbuckle smoothly pulses away like a classic on-board amp tremolo. Plentiful output overcomes the perceived volume drop of the tremolo effect and it even allows the Arbuckle to transform into a fat transistor based boost when the depth is rolled off.
The Ghetto Stomp aims to give you the feel and greasy tube-like response that only comes from plugging a guitar straight into a vintage, often underpowered amp like a Tweed and Valco. Rich, chiming overdrive with a wide tone sweep lets the Ghetto Stomp agree with single coils and humbuckers and is stackable with your favorite dirt pedals. Crank up the gain and this transistor based circuit sags much in the same as a vintage combo giving its all.
The Greer Fish Press Compressor offers vintage squeezer tones plus studio grade compression that enhances harmonic content. The Squish control has a huge range that starts with a transparent balancing of string volume, moves into subtle compression to liven up chords and add snap to solos and finishes with a super squished sound that manages to decay very naturally.
The Lightspeed Organic Overdrive strives to give the player the most natural feeling overdrive possible using a mix of top end clarity and smooth clipping. This low to medium gain pedal gives you 100% transparency as a starting point, so you can then blend in the perfect amount of complex overdrive and sustain to gel with your guitar and amp. The frequency control has been contoured for smooth buttery leads or bright chiming tones without any harsh spikes.
The Southland expands on the Lightspeed platform with more gain and clipping. Starting with a medium gain heart, the Southland emphasizes harmonic content by having two stages of clipping which utilizes a variety of diodes for complexity. The Southland's unique voicing sets itself apart with a bit more attitude, extended presence and a focus on the mids but without the hump. Best of all, you can stack Southland and the Lightspeed for well balanced tone that covers all genres.
You may have caught our ToneReport demo of the Black Tiger, a warm, analog voiced digital delay with powerful external controls for delay trails. The analog signal path utilizes high quality buffers to preserve your guitar's fidelity and offer a choice of how the repeats carry out. The Black Tiger's warm decay makes this delay a perfect fit for vintage slapback tones or percussive dotted eighth notes that keep the rhythm flowing with plenty of low end. You can even coax the Black Tiger to self oscillate and warp through the delay space with the twist of a knob.