Acoustic Guitar Magazine | 9 years ago
Imagine Blind Willie Johnson evangelizing on a dusty street corner in the east-central Texas of the 1930s, a small-bodied blues box in his arms. He could have been playing Big Hollow’s Plainsman Double 0, if the guitar had existed back then. That’s how much the Plainsman looks like the kind of instrument bluesman were drawn to back in the old days: nice narrow waist, slotted headstock, and a deep, dark, sunburst finish.
For the full review, see the April 2016 issue of Acoustic Guitar or go to AcousticGuitar.com
