Old Blood Noise Endeavors | 2 years ago

In collaboration with @CHVRCHES OBNE is proud to present Screen Violence - Stereo Saturated Modulated Reverb—an effects pedal inspired by the sounds of the acclaimed album of the same name. In this production of Dan Explains It All, Dan describes in granular detail how the device works, with the help of Martin, Lauren, and Iain of CHVRCHES. Brady accompanies with a Black Bobbin JM, Roland Juno 60, and Yamaha DX-7, and at one point we plug in a Meris Polymoon to further illustrate the stereo nature of Screen Violence.
Below are the timestamps of each section for your viewing convenience
TIMESTAMPS
00:00 Intro
02:11 Mono Modulation
04:23 Mono to Stereo
06:12 Violence
08:47 Stacked Violence
11:31 Order Switching
13:27 The Other Mode
15:03 True Stereo
16:10 Expression
16:53 Outro

Screen Violence features:
Mono, stereo, and mono-to-stereo operation
Saturation section with control over Violence, Gain, Voice, and Volume to access gritty boosts through heavy overdrive
Modulated reverb section with control over wet-dry Mix and Screen, a magic knob controlling many parameters at once
Order switching to run Screen into Violence or Violence into Screen
Soft-touch switching and relay bypass for each section
Expression jack to externally control Screen
Requires at least 100mA 9VDC center negative power

Screen Violence is available at https://oldbloodnoise.com/pedals/screen-violence and the next CHVRCHES show

Video Produced by Old Blood Noise Endeavors / Atria Creative

All Rights Reserved 2022
https://chvrch.es/
https://oldbloodnoise.com/
https://atriacreative.co

@CHVRCHES are Lauren Mayberry, Iain Cook and Martin Doherty. Since their 2013 debut The Bones of What You Believe, the Glaswegian band have seen global success, critical acclaim and are considered pioneers of modern synth-pop. Their latest record, last year’s Screen Violence, included the singles ‘He Said She Said’, ‘Good Girls’ and ‘How Not To Drown’, a collaboration with one of the band’s musical heroes and rock icon The Cure’s Robert Smith.