"OVERDRIVELAND": Opening Doors to Novel Overdrive Possibilities
"OVERDRIVELAND was born to be as lustrous and distinctive as the elusive DUMBLE amps that are now hard to come by, allowing players to express their unique personalities."
OVERDRIVELAND consists of two main sections. The first is the Normal Channel circuit, through which the signal passes when the Normal Channel is selected. This circuit includes the Tone circuit (including the EQ ON/GLASS switch) and Gain characteristics adjustment with the ROCK/JAZZ switch.
The second section is the Drive circuit. When the Drive Channel is selected, the signal passes through this Drive circuit before flowing into the Normal Channel circuit.
To begin crafting the foundational sound of OVERDRIVELAND, start with the Normal Channel, which provides a clean to crunch sound. Begin by setting all the knobs to their center positions and play some notes. The harmonic components will change with the strength of your picking, altering the tone. The Normal Channel offers a rich tone that can bring out various phrases from the player.
Adjust the "GAIN" knob to achieve your preferred level of distortion, and adjust the volume using the "NOR LEVEL" knob.
The Normal Channel features the "EQ ON/GLASS" and "ROCK/JAZZ" switches to help set the foundation for your sound.
The "EQ ON/GLASS" switch controls the equalization function of the Normal Channel. When set to "EQ ON," the "TONE" circuit is activated, allowing you to shape your tone. Selecting "GLASS" bypasses the "TONE" circuit, giving you a glassy tone reminiscent of turning on the Bright switch on a Blackface Fender Vibroverb.
The "ROCK/JAZZ" switch adjusts the frequency response and gain settings of the Normal Channel. The "ROCK" side is designed for shaping your sound with increased gain, while slightly reducing the gain in the low-frequency range to prevent excessive low-end volume that can cause the amp's input stage to distort. The "JAZZ" side, on the other hand, lowers the overall gain and is designed to bring out the richness in the low-frequency range.
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