strymon | 5 years ago

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In this video, the people who work at Strymon get out their instruments and play through Iridium! From customer support, to marketing, to engineering, this video features Strymon employees playing through Iridium by itself as well as in combination with other pedals.

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Go Direct With Gorgeous Tone.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

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Table of Contents:

00:13 – Pete Celi – Punch/Cab B/Large Room – guitar: Gibson Custom Shop True Historic 1960 Reissue Les Paul (bridge pickup)

01:10 – Gohan Ruiz – Round/Cab A/Large Room – guitar: Gibson Les Paul 1960 Classic (neck pickup)

01:52 – Hugo Merida – Chime/Cab C/Large Room – guitar: Fender Telecaster (neck pickup) – tuning: drop D

02:35 – Ethan Tufts – Sunset (hard) into Round/Cab C/Medium Room – guitar: Fender Stratocaster (bridge humbucker) – tuning: C#G#C#F#G#C# (DADGAD one half step down)

03:02 – Mark McCrite – Chime/Cab C/Medium Room into Volante (tape echo) – guitar: Gibson ES-335 ’63 Reissue with Seymore Duncan Antiquities (neck and bridge pickups)

03:42 – Hugo Merida – Punch/Cab A/Small Room – guitar: Ibanez ORM1 – tuning: drop D

04:26 – Dean Miller – Chime/Cab A/Medium Room – guitar: Fender Telecaster (bridge pickup)

05:20 – Gohan Ruiz – Chime/Cab B/Medium Room – guitar: Gibson Les Paul 1960 Classic (neck and bridge pickups)

05:54 – Dean Miller – Round/Cab C/Medium Room – guitar: Fender Telecaster (neck and bridge pickups)

06:45 – Ethan Tufts – Punch/Cab C/Medium Room – guitar: Fender Toronado (bridge pickup) – tuning: DADGAD

07:23 – Matt Piper – Round/Cab A/Large Room – guitar: Heritage H-535 (neck pickup)

08:22 – Josh Forbes – Punch/Cab A/Medium Room – Silvertone lap steel – tuning: open G

09:15 – Pete Celi – Ola dBucket Chorus & Vibrato running stereo into Chime/Cab C/Large Room – guitar: Gibson Custom Shop True Historic 1960 Reissue Les Paul (neck pickup)

09:52 – Ethan Tufts – Round/Cab B/room=off into BigSky (Bloom) – guitar: Fender Toronado (neck & bridge pickups) – tuning: DADGAD

10:42 – Hugo Merida – Round/Cab C/Small Room – guitar: Ibanez ORM1 – tuning: drop D

11:40 – Josh Forbes – Flint tremolo & reverb (80s Reverb, tremolo bypassed) running stereo into Round/Cab A/Medium Room – Silvertone lap steel – tuning: open G

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Recording notes:

For all examples, signal flow was guitar → Iridium → audio interface, except:

02:35 – Ethan Tufts: guitar → Sunset → Iridium → audio interface

03:02 – Mark McCrite: guitar → Iridium → Volante → audio interface

09:15 – Pete Celi: guitar → Ola (stereo) → Iridium → audio interface

09:52 – Ethan Tufts: guitar → Iridium → BigSky → audio interface

11:40 – Josh Forbes: lap steel → Flint → Iridium → audio interface