Guitar Interactive Magazine | 5 years ago
Welcome back my fellow tone-seekers! In this column, I will be heading down a very specific avenue, one that I do mention time to time when I am reviewing pedals for Guitar Interactive.
In this edition, Dan Veall looks at bass distortion and a method you can utilise to create big articulate sounds that don’t get lost ‘in the mix’ the minute we stamp on a drive pedal.
This column is based on personal preference but also a fair amount of experience over the years in creating bass tones that sound great on stage as well as recorded. I hope that it will help and provide a basis for your own experiments in low-end girth!
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