Musician's Friend | 8 years ago
For more info: http://www.musiciansfriend.com/fender-american-professional-guitars-and-basses?source=3GOA6FRB
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this versatile classic. With its slim neck and dual pickups, the Jazz bass quickly found its place when it was first released in 1961. Available in four- and five-string editions with a fretless version too, today’s Jazz bass is ready to inspire you with some key new features.
Starting with the way it plays, the first thing you’ll notice is that the new Jazz bass of the American Professional series comes with a Slim C neck profile that’s so appreciated by Jazz bass fans. The 9.5-inch fretboard radius feels familiar, but medium-jumbo frets of the past are now replaced with narrow-tall frets. These frets provide excellent playing feel and perfect intonation. There’s a choice of rosewood or maple fretboard and a genuine bone nut on every model.
The electronics have been upgraded and the new American Professional Jazz comes with brand-new V-Mod single-coil Jazz Bass pickup developed by Michael Bump, the longtime bass pickup master. The design uses a carefully selected blend of alnico magnets for balanced authentic Fender tone.
The hardware wasn’t neglected and each Jazz bass retains the four-bolt, micro-tilt neck joint that makes adjustment of your action so easy. And all feature a Hi-Mass bridge, Posiflex graphite support rods for neck stability and redesigned tuning machines with just the right angle to increase sustain and tuning stability.
Available in a choice of colors and fretboard material, the American Professional Series represents the culmination of years of thoughtful design at Fender guided by one clear objective: to make life better for musicians. Whichever model you choose, your new American Professional Jazz bass will arrive in an elite molded case. So get ready to take your playing to a whole new level. There’s never been a better time to go Fender.
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These guitars were played out-of-the-box with factory strings, no additional set-up and no audio post production. The guitar tracks were finished without any kind of EQ or compression.
Amp: Fender Rumble 200 1x15 200W Bass Combo Amp
Mics: Shure SM57 & Neumann U87Ai
Link to Amp: http://www.musiciansfriend.com/amplifiers-effects/fender-rumble-200-1x15-200w-bass-combo-amp?source=3GOA6FRB
Recorded at Musician’s Friend in December 2016.
