Johan Segeborn | 1 month ago
The Slow Fender TWEED Breakup and the Quick Marshall PLEXI Breakup creates a time difference such that if you pan both tracks left and right it will create a sense of a single entity that acts from left to right which sounds huge, natural and spatially rich. In this video I'm using a Marshall 1974X and a Fender 5E3 Tweed Deluxe with a Gibson Les Paul Custom, see list of gear at the bottom. I'm also using some post EQ to add some sparkle etc.
As a Bonus:
We'll also look at something unrelated, namely comparing two sets of small diaphragm condensers on acoustic guitar and drums:
1981 Neumann KM84 vs 1970x AKG C451C
Gear:
2008 Marshall 1974X 18W with a 1968 Celestion G12M25 75Hz Greenback (70s doping though)
2007 Fender 5E3 Custom '57 Deluxe Amp with a 1967 Celestion G12H25 75Hz Greenback
1973 Gibson Les Paul Custom with 1977 DiMarzio Super Distortion in the bridge
Gear, bonus section:
1970s S. Yairi YD-404 Acoustic Guitar
1970 Pearl Fiberglass Drums
1977 Pearl Jupiter 14x6.5 Brass snare.
1970s Paiste 2002 Cymbals
201X Paiste Giant Beat 24" Cymbal
